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Bid we to flee.,

“Aren’t you sleepy, John?”,

"'Tis true," said the ogre, abruptly, "and to prove it to you, you shall see me become a lion." The Cat was so frightened when he saw a lion in front of him, that he quickly scrambled up into the gutter, not without difficulty and danger, on account of his boots, which were worse than useless for walking on the tiles. Shortly afterwards, seeing that the ogre had resumed his natural form, the Cat climbed down again, and admitted that he had been terribly frightened. "I have also been assured," said the Cat, "but I cannot believe it, that you have the power besides of taking the form of the smallest animal; for instance, that of a rat, or a mouse; I confess to you I hold this to be utterly impossible." "Impossible!" exclaimed the ogre, "you shall see!" and he immediately changed himself into a mouse, and began running about the floor. The cat no sooner caught sight of it, than he pounced upon it and ate it.,

“I thought it was so awfully sad that you couldn’t see—not the trees, nor the flowers, nor the ocean, nor anything—and so—and so—Father said that I must tell you that this envelope came from Kingthorpe; but open it, open it!”

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“Who were they?”,

When Ferdinand learned the circumstances relative to the southern side of the castle, his imagination seized with avidity each appearance of mystery, and inspired him with an irresistible desire to penetrate the secrets of his desolate part of the fabric. He very readily consented to watch with his sisters in Julia's apartment; but as his chamber was in a remote part of the castle, there would be some difficulty in passing unobserved to her's. It was agreed, however, that when all was hushed, he should make the attempt. Having thus resolved, Emilia and Julia waited the return of night with restless and fearful impatience.,

“The Labyrinth. It is only about sixty miles long. But in those sixty miles there are more rapids, and bad ones, than there are in all of the Grand Canyon. Well, I reckon there isn’t much chance of my ever tackling it.”,

Conversation may be divided into two classes—the familiar and the sentimental. It is the province of the familiar, to diffuse cheerfulness and ease—to open the heart of man to man, and to beam a temperate sunshine upon the mind.—Nature and art must conspire to render us susceptible of the charms, and to qualify us for the practice of the second class of conversation, here termed sentimental, and in which Madame de Menon particularly excelled. To good sense, lively feeling, and natural delicacy of taste, must be united an expansion of mind, and a refinement of thought, which is the result of high cultivation. To render this sort of conversation irresistibly attractive, a knowledge of the world is requisite, and that enchanting case, that elegance of manner, which is to be acquired only by frequenting the higher circles of polished life. In sentimental conversation, subjects interesting to the heart, and to the imagination, are brought forward; they are discussed in a kind of sportive way, with animation and refinement, and are never continued longer than politeness allows. Here fancy flourishes,—the sensibilities expand—and wit, guided by delicacy and embellished by taste—points to the heart.